‘Oh fuck, you really have killed her…’, says Moppy, the colour draining from his normally so happy face as he slumps down in his seat, ‘they’ll throw away the key this time Smally. You’re completely fucked…’
‘Firstly, she’s not dead’, I tell him, crouching down and tugging at the hair at the nape of her neck, ‘and what’s more, she is not even a she, she’s a he’. I unroll the paint soaked wig and latex from Mrs Wolf’s head, nodding at the business card that Slight is still holding. ‘Howling Wolf Media Group. I know that this is
quite incredible, but these are the very people I’ve been ordering the masks from.’
‘Slight! He’s pulling her head off!’ yells Moppy, turning a violent shade of green.
‘What masks?’ Slight asks me.
‘These masks’, I tell them, holding up the gelatinous Mrs Wolf face in the light. ‘They’re so lifelike aren’t they? I was using them for months on the ship. Actually ordered some new ones not so long ago, but haven’t had a chance to try them on yet…’
‘So who is he?’ asks The Amalfi Glow, pointing down at the old man with clipped grey hair and a trimmed beard, now stirring on the floor and groaning groggily. Were it not for the fact that he is soaked in black paint and wearing a woman’s business suit, you would be tempted to say he looked distinguished.
‘I’m guessing this is James McLymont. That was quite the story he spun back there, wasn’t it? I very nearly believed it myself until I twigged on the whole Howling Wolf connection. Good call being on Moppy’s side eh? Some of his luck must be rubbing off on us…’ I nod at our caped comrade, grinning with half-shut eyes like he has been washing some very serious drugs down his throat with potent moonshine. ‘I wouldn’t touch any more of that coffee by the way. Judging by the looks of Moppy, I think like he was trying to drug us. Anybody got something we can use to tie him up?’
‘I’m starting to wonder who we need to tie up first, Moppy or the guy on the floor’ says Slight.
The Amalfi Glow goes into his bag, ‘This any good?’
‘A Celtic scarf? Why did you bring a Celtic scarf?’ I ask him.
‘I just thought it might come in handy’, he says, Moppy falling out of his seat with a thump behind him.
‘You all right Moppy?’ asks The Amalfi Glow.
‘Yashabbashabbashooyabasta’, says Moppy, crawling across the floor on his hands and knees.
‘Yep, back to normal’, says Slight.
As James McLymont continues to come round blinking stars, we tie his wrists together tightly behind his back with The Amalfi Glow’s green and white striped scarf, and lower him into the executive chair behind the desk. He looks back at us groggily trying to work out what has just happened. Meanwhile, Moppy is trying to mount a filing cabinet in the corner of the room and it crashes down, throwing up a blizzard of paperwork, sheets and sheets of strange symbols fluttering to earth. ‘Itwasnaeme!’ cries Moppy, falling down behind the toppled cabinet.
‘Ah Chrisht!’ foams the old man, head lolling on his neck as he finally realises the situation he’s in. Seeing his papers scattered all over the floor, he yells ‘Thatsh thirty fucking yearsh of work there you fucking idiotsh!’
‘Whoshafuckinshabashabaidiot! Not me! Not me!’ pipes Moppy from the floor behind the cabinet.
‘Say…’, says The Amalfi Glow, eyes narrowing as he gets a good look at the old man. ‘You’re Sean Connery…’
‘Don’t be fucking ridculoush!’, snaps James McLymont.
‘No… you are’, says The Amalfi Glow. ‘I’d know that face and voice anywhere’. He turns to me and asks, ‘You don’t think that’s another mask do you Smally? Underneath the Mrs Wolf mask? I mean, he was pretty fucking convincing as a woman, and he’s just as convincing as Sean Connery’.
‘Itsh the coffee talking’, says the old man, ‘I put enough shedativesh and meshcaline into that coffee urn that a cup of it was enough to knock out ten horshes. That hippy friend of yours who is TRASHING MY FUCKING RESHEARCH should be in a fucking coma…’
‘What’s a horsh?’ asks Slight, cracking open his last can of beer, froths spilling onto the plush carpet and pushing his own cup of coffee away from him.
‘Wheresahearse? (hic)’, slavers Moppy from behind the cabinet, waving a wilted leaf of surrender.
I look at James McLymont, hunched in the seat, glaring at us and have to admit that he does look EXACTLY like Sean Connery. He sees me staring at him and asks ‘Okay then, what ish it you want? Hmm? I shupposhe you’re looking for the Plum Necklash. Well you’ve come to the wrong plashe. I’ve been searching for it for the lasht thirty yearsh. It’sh a pipe dream. A cashtle in the shky…’
Slight clears his throat. ‘Listen, I know you’ve got a speech impediment and everything, but could you lay off the s words, it’s starting to get on my tits.’
‘Tits!’ shouts Moppy, still waving the leaf around.
‘If the Plum Necklace doesn’t exist, then what are all these sheets of paper?’ asks The Amalfi Glow, picking one up. ‘Looks like someone’s been trying to crack a code if you ask me.’
‘Good question Ritchie’, I say.
‘Thanks Smally. Also, what about that little x on the volcano on the map up there? Coincidence that it’s in the very place your little office is set up?’
‘Another great question Ritchie. You’re on fire!’ I tell him.
‘I know’, he says, ‘I’m your psychiatrist. It’s what you pay me to do’, he says.
The old man sits quietly for a moment like he is weighing up the next move in the tense early stages of a chess match and finally says, ‘Lishen, I’m jusht a simple mashk-maker. I’ll prove it to you if you let me show you…’
We press the only button on the inside of the elevator and feel it lurching down. James McLymont stands in the middle, a look of sheer disgust written across his face as Moppy rests his head on his shoulder, drooling and staring at their reflection in the spotless mirrors that surround us. It’s been a while since I’ve seen a mirror and we look a million times more ridiculous than I originally suspected we looked. ‘Are you taking us to the tits Sean? Huh Sean?’ asks Moppy, looking up at him with abyss-like black eyes.
The lift glides to a halt, the doors slide open and we step out into a laboratory of some kind. A small rectangular room with a spotless blue carpet and windowless white walls. In front of us are two long tables where various beakers, test tubes, surgical implements, rolls of plastic and trays of purple liquid sit idle. To our right about fifty mannequin heads of various features and skull sizes eyelessly stare from the tops of different length metal poles. The lift it would seem is the only way in or out of the room. ‘Shee’, says McLymont, nodding at the room, ‘it’sh jusht like I told you. I make mashks.’
‘You don’t make titsh?’ asks Moppy.
‘NO… I DON’T MAKE… TITSH!’, says McLymont emphatically.
Ever the scientist, Slight has walked around behind the first desk, places his can of beer on the counter and is dipping his finger in the purple tray of liquid. He holds it up to nose and sniffs. ‘It’sh a type of phoshphor’, says McLymont, ‘growsh at the bottom of the volcano… combined with the laytexsh it formsh a shkinlike shubshtansh.’
‘Shrubshtansh?’ asks Moppy, checking the leaves on his shoulders and walking directly into a wall with an ‘Oof!’
‘Sounds a bit fishy to me’, says Slight.
‘I agree’, says The Amalfi Glow, over at the mannequin heads, spinning one curiously at the top of its pole, ‘there must be another room in this place…’
‘We should blow it up – all of it. Then we’d see…’, says Slight, ‘I’ve still got plenty of leftover bomb ingredients in my rucksack.’
The old man eyes him nervously as Slight grins and ambles back to his bag, starts unpacking the Tupperware boxes and rolls of magnesium out onto the desk. ‘Wait!’ shouts McLymont, so urgently that it causes Moppy to dive for cover over the table at the back of the room knocking two racks of test tubes and several beakers to the floor. ‘Okay, I’ll show you… for all the good it will do.’ He nods back at the lift. ‘Lift up the floor panel. There’sh a hatch and a ladder leadsh down. It’sh quite a way so you’ll need to untie me…’
‘Oh I think you’ll be all right Sean’, I tell him. ‘We are idiots. But we’re not idiots, if you know what I mean.’
Actually it takes more work helping Moppy down the twenty foot ladder in the dark than it does James McLymont with his hands bound behind his back, our increasingly frantic friend screaming as he descends. ‘Moppy! Fucking calm down!’ shouts Slight from the bottom, where he and The Amalfi Glow are helping the mask maker off the ladder, ‘You’ll be all right!’
‘I just feel like I’m climbing into a vagina!’ yells Moppy.
I drop from the ladder at the bottom onto a concrete floor with a short dimly lit stone corridor leading down to a metal door at the end on my left, and reach up to help Moppy down. ‘I am sperm’, says Moppy.
‘Come on then sperm, let’s go’, I say, holding him up at the shoulder.
‘Fellow sperm’, he dribbles, ‘how many sperm years are we away from our destination? (hic)’
The Amalfi Glow opens the door up ahead and we walk into a small, brightly lit cubic room. The walls, ceiling and floor appear to be the harsh grey jagged insides of the volcano, and directly in front of us on the wall is a giant grid of small black cubic blocks (about the size of a Rubik’s Cube), each one inscribed with the same mysterious symbols that we saw on the sheets of paper upstairs in McLymont’s office. ‘There she ish’, he says.
‘What the fuck is it?’ asks The Amalfi Glow, going immediately up to it. ‘Can I touch it?’
McLymont nods and he runs the palms of his hands over the grid. ‘One hundred cubesh’, says McLymont, ‘each one of them has six shymbols obvioushly. Go on, you can pull them off…’
Moppy shuffles over starry eyed to the grid muttering ‘What a curious thing to find inside a vergina…’, while The Amalfi Glow lifts a block from near the centre and turns it over in his hands.
‘It’s a code of some kind’, he says.
‘No shit Sherlock’, snorts McLymont. ‘But unlesh you can read the shymbolism of some long losht shivilisation, then do you you know how many poshible permutationsh there are? No? Well it’sh 6.53318624 x 10 to the power of 77.’
‘How do you know that so exactly?’ I ask him, watching The Amalafi Glow carefully place the cube back into the wall. It slots in with a soft click.
‘I’ve shpent thirty fucking yearsh going through the combinationsh. That number is burned into my brain’, he says.
‘Why don’t you just blow it up?’ asks Slight.
‘About twenty nine years ago I tried exactly that’, replies McLymont, ‘but there’sh a forsh-field around it. Jusht like the forsh-field that preventsh anyone from drawing a map of this island. I’m not an idiot either you know.’
‘I knew that wasn’t fucking magnets!’ I say, watching Moppy attempting to hug the grid and accidentally pulling one of the cubes out.
‘So why keep going?’ asks The Amalfi Glow. ‘You could be here all your life and never find the right combination. Why not give it up?’
McLymont’s head drops and suddenly he seems almost human, almost likeable. ‘Becaush who says I’m not going to find the right combination on my three hundred millionth attempt. It’sh not imposhible…’
And as he says this, Moppy mutters something about igloos and places the block back into place, only this time rather than the click that it made when The Amalfi Glow returned his part of the puzzle, it makes a thundering clunking sound, and we watch amazed as his bare arm crashing straight through the wall, and before anyone can move, first his balaclava clad head, then his leaf coated body, then his spindly legs are disappearing with the crumbling blocks, clattering down a smooth stone ramp. ‘HE FUCKING DID IT!’ roars McLymont in crazed amazement, ‘With the very firsht cube he touched!’, half-laughing, and half-weeping as his legs turn to jelly beneath him. ‘How… how did he do it?’ he gasps.
‘Because Sean, he’s the luckiest guy in the universe’, I say, running to the hole in the wall to see where he’s gone.








